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This creative transformation and, in part, lustful-parodic “destruction” of the theme resulted in a kaleidoscope of variations, ranging from étude to fugue, from masked chorale to melancholy Adagio, thereby shattering all previous standards associated with the piano variation genre, which Beethoven himself had already significantly expanded, yet not transcended, with the three variation cycles op. 109–111 and the Missa Solemnis – due to their size, these works were then initially published as a separate volume. Beethoven, however, composed 33 variations, and it took him four years to complete as a result of various interruptions since he was also working on his final three piano sonatas opp. This also reflects the fact that the original reason for its creation can be traced back to a request made by the Viennese composer and publisher Anton Diabelli, who asked prominent composers and pianists of the time to each write a variation on a theme stipulated by him for inclusion in an anthology: a simple, yet catchy waltz for piano and two hands. As such, countless works have been dedicated to the origins, intention, structure and (biographical) symbolism of the work – not least, in the tradition of von Bülow, by the pianists themselves, as demonstrated by the editions and statements of greats such as Artur Schnabel, Alfred Brendel and Rudolf Buchbinder.In a ground-breaking study, the American musicologist and pianist William Kinderman was able to show, by examining the sketches, how convoluted the development work was until Beethoven ultimately arrived at the finished piece. Despite only daring to première the Diabelli Variations in Berlin in 1856 and focussing on them throughout his life as an artist and publisher, Hans von Bülow was correct in his prediction that this work would provide “musical brain food for generations” – and not just for pianists and their audiences, but for music historians and theorists too. Rather, they are among those exceptional works of music history that simply cannot be classified and – as Igor Strawinsky wrote in amazement about the Grand Fuge for string quartet composed three years later – could well have been created on a satellite in outer space.

Published almost two centuries ago in 1823, the Diabelli Variations are more than just a major work in Ludwig van Beethoven’s oeuvre and in the history of piano music.

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Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Organum Classics Dmitry Ablogin – Beethoven: Diabelli Variations (2022)įLAC (tracks) 24 bit/192 kHz | Time – 01:54:06 minutes | 3,87 GB | Genre: Classical Preserve most recent controller values when deleting measures.Allow deleting instrument through a contextual menu.Correctly handle lyrics events when adding or deleting measures.

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